Plastics in Practice

Plastics have become indispensable in many sectors: packaging, transport, medicine, the home, construction and much more. In this section, you will find numerous articles on the use of plastics in various contexts.

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  • Building and construction sector: An industry relies on plastics

    Exclusively for K-MAG Copyright: FabrikaPhoto 08.11.2022 Polymers are as diverse as their chemical composition. Plastics come in hard, soft, flexible, brittle, opaque, transparent - just as required. They impress with their durability, cost-effectiveness, impermeability to water, high formability, corrosion resistance and low weight. They defy heat, light and weather. This makes them the ideal building material - and an environmentally friendly alternative to other materials. The construction industry has realized this for a long time. The building and construction sector uses one fifth of the ten million metric tons of plastics used in Europe every year. Half of this fifth is in plastic pipes. The other half is used, for example, to make insulating materials, window frames, cable insulation, joint compounds and electrical outlets. A total of around 50 different plastics are used in the manufacture of these products typical of the construction industry, the three main groups being polyvinyl chloride (PVC), polyethylene (PE) and polystyrene (PS). A look into the past Plastic found its first application in the construction industry around 90 years ago: in pipes made of hard PVC. Window frames made of PVC followed in the 1950s. Pipes and things like construction films were already being produced from PE by then. And at the latest with BASF's invention of Styropor in 1952, synthetic polymers became indispensable in the construction industry. Before that time, the only chemical plastic available was the dark brown to black bakelite - created by the reaction of phenol and formaldehyde, discovered in 1905 by the Belgian chemist Leo Hendrik Baekeland. Compounding of plastics for more applications For years, compounding has been used to make the plastics used suitable for even more applications in the construction industry by mixing them with additives. Glass fibers (GF) and carbon fibers (CF) are an important keyword here. They give the plastic greater strength and rigidity. Fiber-reinforced plastics such as GRP and CFRP are used, for example, in manhole covers, light wells, gratings and window frames. The latter, for example, become narrower and offer more light incidence due to the correspondingly larger glass area of the window. In concrete construction, CFRP was already being used in place of steel reinforcement in the 1990s. Because CFRP does not rust, slimmer concrete components with equivalent structural properties can be produced in this way. This in turn means more economical material consumption. To the benefit of costs and the environment. Sustainable building materials are in demand Speaking of the environment, it has long been a question not only of benefiting from the advantages of plastics in construction, but also of producing them sustainably. On the one hand, existing plastics are being recycled; on the other, new plant-based (from corn, sugar cane, algae, etc.) bioplastics are being designed. Kurtz Holding researchers, for example, have developed radio frequency (RF) technology that enables processing of particle foams using electromagnetic waves in the radio frequency range. Compared to conventional steam processing, this can save up to 70 percent CO2, 90 percent energy and 100 percent water, depending on the material used. The new technology is also suitable for bio-based plastics such as corn-based particles, which the company's developers are currently working on. BASF has already developed a biodegradable particle foam in 2018, while the company Armacell has developed a particle foam made from 100 percent recycled PET bottles. It's worth taking a look at other impressive ideas for making materials needed in construction sustainable. The Dutch company Pyrasied, for example, offers acrylic glass made from recycled material. In 2017, Kenyan materials engineer Nzambi Matee succeeded in developing a process to produce bricks from recycled plastic. They are five times as hard as concrete. And the Thuringian company PolyCare is dedicated to producing blocks from polymer concrete. K-Talk: "Plastics in the construction industry - building a sustainable future" 20 percent of the plastics consumed in Europe, are used in the building and construction sector. The only major user is the packaging industry. Plastics are durable, corrosion-resistant, lightweight and cost-effective – and thus enable climate-friendly construction. Guido Marschall talks to his guests about where plastics are used in construction and how they thus contribute to a sustainable future. Here you get to the K-Talk Silke Meny More around Plastics in Daily Life

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  • Sustainable Polyurethanes in your shoebox

    Exclusively for K-MAG Photo: Covestro 18.03.2021 People around the world want to make significant changes and embrace sustainability – a new mindset that also affects the fashion industry. But how can you make shoes that have been made with lots of plastic in recent decades more sustainable and eco-friendlier? Covestro is a world-leading supplier of high-quality polyurethane and teamed up with the Brazilian shoe manufacturer Calçados Beira Rio to put its best foot forward and create a solution. In 2019, the technical teams of Beira Rio and Covestro met and decided to collaborate – it is the next logical step, considering that modern shoes are increasingly made of plastic materials. Plastics are not necessarily known to be sustainable, and one example of this is the abrasion of shoe soles: Because they're not truly recyclable, most of them end up in the trash. Fighting the odds, the new concept shoes show that a sustainable approach and a fashionable look are not mutually exclusive: "The project is an important step for the industry and us, because it shows that more sustainable solutions allow for increased design freedom and work well even in the fast-paced fashion industry by delivering the same or even a superior performance over current alternatives," says Dr. Frank Rothbarth, Trade Media Communications Manager at Covestro. The collaboration resulted in elegant women’s pumps and comfortable casual shoes based on alternative raw materials such as plastic waste. They are put to good use in a circular economy, instead of being released into the atmosphere as waste gas. The inside lining of both shoe concepts is designed to deliver a great fit and comfortable footfall. This cushioning effect typically comes from a conventional soft foam. The concept shoes feature a new type of foam made of cardyon® , an innovative raw material that enables manufacturers to create soft footbeds. This precursor product contains up to twenty percent carbon dioxide and replaces some previously used fossil raw materials. Cardyon® makes this possible without compromising the favorable characteristics of conventionally produced foam. Besides cardyon®, the outsoles of both shoe models contain thermoplastic polyurethane (TPU). Sixty percent of the carbon content is derived from biomass. "As a result, both products have a lower CO₂ footprint than fossil-based TPU and help close the carbon cycle," says Rothbarth. Recycled plastics also find a new useful life in the shoes. "Used polycarbonate products are shredded, cleaned, possibly mixed with new plastic and reused as recycled material," he adds. This adds lasting strength and durability to the insole and heel of the shoes. Fashion accessory production primarily aims to benefit and please customers – also when it comes to sustainability. But Beira Rio wants to do more and strives to improve hygienic conditions in production. For its new concept shoes, the footwear manufacturer increasingly uses water-based raw materials, which emit significantly fewer volatile organic components than the solvent -based substances it used in the past. INSQIN® technology is based on water-based raw materials and was developed specifically for a more sustainable textile coating . This makes it ideal for the lining, upper material, and heel of the women's pumps. The company also used a more sustainable footwear adhesive. "Aqueous adhesives with the polyurethane dispersion Dispercoll® U provide the necessary strength in the upper and outer sole of both shoes,” explains Rothbarth. Like all industries, the fashion sector must rethink its sustainability goals and targets. As demonstrated by Covestro, innovative ideas are a first step in the right direction. Covestro plans to take its newly acquired knowledge through its collaboration to enter new markets in the future. Says Rothbarth: "Our company wants to partner up with other clients and shoe manufacturers to create innovative concepts together, promote sustainable industry practices, and improve the value chain." Quite possibly, the concept shoes will inspire other manufacturers to follow in the company’s footsteps as they have shown that sustainability and fashion can go hand in hand. Kyra Molinari (Editorial team K-MAG) More around Plastics in Daily Life

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  • From Bioplastics to Reusable Packaging: What K 2025 has to offer the Packaging Industry

    Part 2 of the series 'Focus on User Industries: Packaging' Exclusively for K-Mag Concrete solutions from industry for sustainable plastic packaging Whether for food, cosmetics, or medical products, plastic packaging is indispensable in numerous industries. In the first part of our series , we highlighted why plastics play a central role in modern packaging solutions, particularly in the area of tension between functionality and sustainability. Now we turn our attention to specific innovations and solutions that will be presented at K 2025. Dr. Christine Bunte, Hauptgeschäftsführerin, PlasticsEurope Deutschland e. V.; Copyright: Plastics Europe 2024/The-Tailors-Photography From theory to practice: solutions for the packaging revolution The packaging industry is under increasing pressure to innovate. Legal requirements such as the EU Packaging and Packaging Waste Regulation (PPWR), rising recycling quotas, and growing consumer expectations call for new approaches along the entire value chain. Exhibitors at K will show how these challenges can be overcome with intelligent plastic packaging: from design for recycling and the use of recycled materials to digital tracking solutions. Dr. Christine Bunte, Managing Director, PlasticsEurope Deutschland e. V ., on the topic of packaging: "Plastic packaging today is caught between functionality, climate protection, and recyclability. The new EU Packaging Regulation (PPWR) provides important impetus in this area—for example, by stipulating that all packaging must be recyclable from 2030 onwards. However, the complexity of the regulation is causing considerable uncertainty throughout the industry. There is therefore a need for rapid and practical implementation of the outstanding secondary legislation and European standardization mandates, as well as swift adaptation of the German Packaging Act. The acceptance and use of recycled materials is increasing, particularly in the FMCG sector. However, demand for high-quality recycled materials—for example, for food packaging—will exceed supply in Europe by 2030. To close the looming recycled materials gap, investment is needed in modern sorting and recycling facilities, affordable energy, fast approval procedures, and, finally, clear political incentives for chemical recycling, including pragmatic mass balance regulations. We expect K 2025 to provide strong impetus for the packaging industry, but also for the plastics industry as a whole. The trade fair offers a platform for exchange on circular design, closed-loop approaches, and the future of high-quality recyclates. Among other things, the PPWR panel on “Circular Thursday” will show how the industry is addressing regulatory challenges—and where it can develop solutions together with policymakers. Further recommended content on this topic from K-Mag for you: Packaging law and Recyclability Design for recycling, monomaterials, and reusability Another key buzzword remains “ Design for Recycling ”: packaging must be designed in such a way that it can be recycled at the end of its life cycle. Monomaterial solutions, innovative closure mechanisms, and easily separable multilayer films are among the approaches being showcased by exhibitors at the trade fair. When it comes to reusable packaging, many companies are also focusing on practical concepts for a variety of applications – from transport packaging to consumer goods packaging. How can reusable packaging succeed in the catering industry? The start-up MealGood has developed a sustainable solution for to-go packaging. In an interview with K-Mag, the team explains what is important in terms of design, material selection, and return systems. Read it here! Carmen Sánchez Reig, Chair & CEO, ADBioplastics; Copyright: ADBioplastics Focus on compostable bioplastics In addition to recyclable packaging, bio-based and compostable materials are also gaining in importance. Bioplastics can be a useful addition, especially where material recycling reaches its limits—for example, in the case of heavily soiled or very light packaging. They offer new options for applications that require not only functionality but also environmental compatibility and regulatory compliance. One example of this is provided by ADBioplastics, which is presenting a high-performance PLA-based material at K 2025: “ At ADBioplastics , we're leading the way in sustainable packaging by developing PLA-Premium, a next-generation, 100% compostable bioplastic made from renewable sources. This material incorporates our patented ADBio PLA+ additive, which enhances the mechanical and barrier properties of neat PLA. PLA-Premium is tailored for packaging applications that demand improved strength, oxygen and water vapour barrier performance, and processability—making it suitable for industries like food (FMC approved), cosmetics (suitable for cosmetic contact), and consumer goods. Today’s packaging industry is heavily shaped by regulatory pressures (like the PPWR in the EU), consumer demand for sustainability, and the shift towards circular economy models. Key trends include recyclability and compostability […], lightweighting - reducing material use without compromising functionality - and bio-based content -using renewable feedstocks to reduce carbon footprint. ADBioplastics is aligning with these trends by delivering functional and competitive alternatives to conventional plastics, with OK Compost Industrial certification by TÜV Austria. “ Further recommended content on this topic from K-Mag for you: Biodegradable stretch film: Start-up develops sustainable solution for packaging A close-up of the PLA manufactured by ADPlastics. Copyright: ADPlastics The compostable packaging manufactured by ADPlastics. Copyright: ADPlastics Digital technologies enable traceability and transparency Digitalization is also playing an increasingly important role in the development of sustainable packaging solutions. QR codes, digital watermarks, and blockchain-based systems enable seamless traceability of materials and support recycling companies in sorting. Such solutions also offer consumers greater transparency regarding the origin of materials and disposal channels. Further recommended content on this topic from K-Mag for you: Rendering packaging sustainability transparent with blockchain technology Sustainable plastic packaging: AI supports design and production Sustainability as a driver of innovation Whether it's the use of recycled materials, bioplastics, or the optimization of CO₂ balances, sustainable packaging solutions are no longer a niche topic, but are becoming a driver of innovation for the entire industry. Numerous exhibitors at K are demonstrating how technical developments and new material combinations can contribute to reducing material usage and emissions. The packaging industry is thus demonstrably facing major changes. But K 2025 shows that solutions are in the pipeline! And in just nine days, the largest trade fair for the plastics and rubber industry will open its doors, offering the ideal platform to experience innovations live, make contacts, and jointly shape the packaging industry of tomorrow. These companies, for example, will be showcasing innovative packaging solutions at K 2025: Ampacet Europe SA Covestro AG Starlinger & Co GmbH BIOTEC Biologische Naturverpackungen GmbH & Co. KG Polylayertech SRLS Would you like to discover even more innovative packaging solutions and exhibitors? Use the K exhibitor database. All K 2025 specials and events can be found here! The portrait was generated by AI. Author: Simone Ernst | K-Mag Simone Ernst has been writing for various industry magazines for eighteen years and has been part of the K-Mag editorial team since 2024. She is particularly interested in topics such as plastics recycling, sustainability in the plastics industry and career paths in the plastics and rubber industry. At a glance The packaging industry faces major challenges: EU packaging regulations, rising recycling rates, and demand for sustainable solutions. Exhibitors at K 2025 will present concrete approaches—from design for recycling and the use of recycled materials to bioplastics such as PLA Premium. Over nine days, K in Düsseldorf will show how plastic packaging can be made sustainable for the future. More around Plastics in Practice

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  • Heads up! Novel Technology Redefining Holographic Windshield Displays

    Exclusively for K-Mag This technology makes it possible to project useful information onto the windscreen while the driver has a clear line of sight. Copyright: Ceres Holographics photo 14.04.2025 A German-Scottish-US partnership has jointly developed technology that advances holographic transparent displays on vehicle windshields. Head-up displays, known as HUDs, project useful information such as speed, safety alerts and turn-by-turn directions on the lower part of the windshield, where drivers can see it without taking their eyes off the road. The information can be projected transparently on the glass, allowing a clear line of sight beyond the information being displayed. “We have been working closely with global OEMs for years and are now at a tipping point for adoption and scaling of this display technology,” said Andy Travers, CEO of Livingston, Scotland-based Ceres Holographics. “This is being driven by a combination of a desire for more safety-oriented and intuitive information display features, pressure from safety regulators to reduce driver distractions, and the accelerated pace of innovation and associated need for differentiation among a new generation of car makers.” A Truly Global Partnership Günter Walze is Covestro’s head of holographic lightguiding. Copyright: Robert Grace photo Ceres collaborated with Kingsport, Tenn.-based Eastman Chemical Co., benefiting from the firm’s Saflex-brand interlayer solutions and encapsulation know-how, together with Leverkusen, Germany-based materials giant Covestro AG. The parties combined Covestro’s expertise in photopolymer films, Ceres’ digital mastering and HoloFlekt ® roll-to-roll replication system , which produces finished films up to 1,200 mm wide, and Eastman’s technique to encapsulate functional films into automotive-approved laminates. They found a way to incorporate multiple custom-designed holographic optical elements (HOEs) into a single sheet of Covestro’s Bayfol HX® film , which is then laminated with Eastman’s newly developed interlayer stack, to achieve the industry's largest field of view HUD. Günther Walze, Covestro’s head of holographic lightguiding, said the photopolymeric coating can be tailored with varying properties and thicknesses and applied on different flexible substrates, depending on the customer’s specification. “And in this coating you can write and record optical functions, and that is the key to all those applications we were talking about.” The partners have signed a memorandum of understanding (MOU) to explore commercial production of the cutting-edge Holographic In-Plane Transparent Display (HIPTD) product. That, they explained, is a laminated hologram solution that allows multiple head-up transparent displays in a single fully laminated windshield, with each display area measuring up to 400 by 300 mm. In a joint statement, the firms said the MOU builds on years of collaboration, leveraging each company’s technologies to manufacture holographic-enabled transparent HUDs for the automotive market. It enables them “to look into the remaining steps needed to set up and establish the required facilities and manufacturing capacity, ensuring an efficient, market-ready supply chain to meet the planned production timelines of OEMs wishing to adopt the technology for new driver and passenger experiences.” In doing so, the partnership aims to accelerate the commercialization of the HUD solution, with Eastman leveraging its relationships with automotive OEMs and Tier One automotive glazing suppliers. A development team from Ford Motor Co. presented the results of their evaluation of the Ceres/Eastman/Covestro solution at an industry conference in the Fall of 2024. Millions of Holographic Pixels Ceres’ Dr. Andrew Grant. Copyright: Robert Grace photo Ceres Engineering Director Dr. Andrew Grant explained in an interview that his firm can program “about a million holographic pixels per A4-sized area, and every pixel is programmed to send the light from the projector back toward your eyes, and only toward your eyes.” Does it raise distracted driving concerns? Grant contends it is just the opposite. The technology enables bringing information up from, say, the cluster or from a center stack, and displays it transparently on the windscreen below the driver’s line of vision. So this actually helps to minimize distractions, he claims. And because each display can only been seen by the intended viewer, it allows personalized experiences for drivers and passengers, further reducing distractions brought on by “look down’ shared center console displays. Walze said, “Our Bayfol® HX photopolymer enables next-generation, truly transparent projection displays for windshields while meeting the high automotive safety requirements. With the necessary establishment of hologram mastering and scalable mass-production replication equipment by Ceres, combined with Eastman’s windshield lamination technology, this innovation is ready for deployment to end customers.” This photopolymer film is commercially available, he notes, while acknowledging it is not yet being used in commercial applications for vehicle windshields. Automakers have long development and approval timelines, so he expects the technology for that application to launch in a vehicle in 2027 or 2028. “Actually,” Walze explained in an interview, “we're not necessarily trying to replace a standard head-up display. This is sometimes a misconception, which is easy to make, because we bring a display in the windshield. But the main idea is to find another place for all the screens that are in the dashboard now with the new cars.” The Ceres HoloFlekt roll-to-roll replication system. Copyright: Ceres Holographics Photo Many new car models have a screen for the driver, a second screen in the middle, and a third screen for the passenger. “All those screens in the dashboard can be moved to the bottom or the sides of the windshield, and that is the main target application,” Walze said. “So you can also argue that by moving all those screens in the windshield, there is also an overall cost-saving potential.” This technology offers flexibility, says Grant. “You can use the same technology in a whole range of cars. We've done it for heavy-goods vehicles, 18-wheelers. We've done it tractors, trains, that sort of stuff.” Ceres takes the design of the windscreen into account –– its curvature, its rake, etc. –– “and we program those millions of pixels to take all that into account so that when you redirect the light towards your eyes you get a very bright, private, easy-to-package, functionalized windscreen display.” The same display solution can be used on other glass surfaces in the car, such as the rear windows, to provide additional entertainment options for passengers. Robert Grace More around Materials Design

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  • Sabic and Partners Introduce First In-Mold Labeling Solution with Certified Renewable Polymers for Food Packaging Containers

    Copyright: drazenphoto 20.10.2023 SABIC, a global leader in the chemical industry, has partnered with three specialists in the field of in-mold labeling (IML) to demonstrate the use of certified renewable polypropylene (PP) resins in high quality mono-PP thin-wall container packaging without compromising quality, processability, safety or convenience. The single-step IML technology achieves a seamless part decoration right in the injection mold, where the label becomes an integral component of the packaging itself. Dedicated label film types and high-definition printing technology result in a very attractive and cost-effective decorative solution. Besides using certified renewable PP resins for both the molded parts and the label film, the resulting packaging can be recycled in existing rigid PP recycling streams. Abdullah Al-Otaibi, General Manager, ETP & Market Solutions at SABIC, says: "The demand for in-mold labeled packaging is constantly growing across various different consumer market segments, as it provides major opportunities for cost effective and highly sustainable solutions. Together with the responsibly sourced and certified renewable polymers from our TRUCIRCLE™ portfolio, this flexible decoration technology has enormous potential in fully recyclable mono-material packaging with no compromise on shelf visibility and consumer appeal in the retail space. At the same time, it can help manufacturers and brand owners reduce their environmental impact and carbon footprint while addressing the need for preventing valuable used plastic from ending up as waste." The label material for the IML containers is a biaxially oriented polyethylene (BOPP) film produced by Taghleef, a leading global supplier of films solutions to customers worldwide, using a SABIC® certified renewable resin tailored to the BOPP process. BOPP films are widely used for in-mold labeled injection molding applications in food, dairy and beverages, home, beauty and personal care packaging. Taghleef offers transparent, white and metalized PP label films, which can all be produced using polymers with bio-based feedstock. Furthermore, they can easily be customized to meet specific needs of gravure or offset printing for desired haptic textures and visual appearance, from glossy, matt, orange peel or velvet feel to an entirely non-label look. The collaboration involves Taghleef's biaxially oriented polyethylene film and Karydakis for optimized printing, providing brand owners with sustainable labeling solutions and demonstrating the feasibility of bio-based materials in high-quality IML labels. Source: SABIC Monica Battistella, Sustainability Manager at Taghleef, adds: "Our BOPP film range for in-mold-labeling gives brand owners a wide choice of premium packaging finishes to enhance brand differentiation and shelf visibility with a low environmental impact. In combination with the sustainable nature of SABIC's mass balance certified renewable polymer from second-generation feedstock, the exceptional printability, die-cutting, anti-static and non-stick properties of these films deliver maximum value throughout the entire life cycle of the labeled products, including end-of-life recycling." As part of the present collaboration, the final BOPP label film is supplied to Karydakis, a leading specialist in optimized printing techniques, ink formulations and conversion technologies tailored to PP-based in-mold labels. The company's sophisticated process delivers high-quality labels pre-printed with captivating designs and branding elements to match end customer specifications and ensure the effortless integration with the containers throughout the molding process. Giorgos Karydakis, General Manager at Karydakis IML S.A., states: "With this collaborative initiative, we are demonstrating the feasibility of bio-based materials in the production of high-quality IML labels. We offer our customers a wide range of attractive printing options for cups, tubs, jars, shakers and pails in sizes from 50 ml to 50 liters, including additional digital watermarking with material information in line with the European HolyGrail 2.0 initiative for smart automated mechanical recycling." Augustinos Kotronis, General Manager at Kotronis Packaging, explains: "In-mold labeling offers substantial productivity benefits, since it eliminates the need for separately applied adhesive labels on the finished packaging product by forming a permanent, tamper proof bond with the container right in the mold. In addition, the renewable container material from SABIC complies with all relevant international standards for food-contact applications, while showing excellent processability on our machines, including high flowability for reduced wall thicknesses. Moreover, it meets with our targets for reducing both CO2 emissions and fossil consumption." Cut to shape for stacking, the IML labels are finally supplied to Kotronis, a medium-sized family business specializing in injection molded containers for food products. Here, they facilitate the efficient in-mold labeling of cups and tubs in a seamlessly integrated and fully automated, single-step process. 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  • The History of Plastics: Progress with Responsibility

    From natural polymers to Parkesine, Bakelite, recycling and the circular economy: explore the development of plastics and their significance for the future.

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  • High-performance adhesive for the transportation systems of the future

    High-performance adhesives play an important role in the Hyperloop, vehicle manufacturing and other transport systems. They create durable connections, compensate for material stress and enable lightweight structures.

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  • "Algeria is one of our top three markets in the MENA region."

    3 questions for Starlinger about plast alger Exclusively for K-Mag Algeria is one of the most important markets for cement production on the African continent. Copyright: iStock.com/Habib Boucetta 19.02.2026 The plastics and packaging industry in North Africa is developing dynamically – especially in the construction sector. With an annual production of over 40 million tonnes, Algeria is an important cement market on the African continent. In a short interview, Starlinger explains the role played by automation and high-performance packaging and the industry's expectations for plast alger (30 March–4 April 2026). Taha Sahli, Industrial & Lean Supply Chain Expert at Starlinger. Copyright: Starlinger How important is the market in the MENA countries for Starlinger? Taha Sahli : Algeria has been one of our top three markets in the MENA region for several years. We have installed Starlinger systems for more than 20 customers there and are focusing our strategy specifically on this market in order to meet our customers' expectations in the best possible way. In which areas do you expect the greatest interest at plast alger? Sahli : Our AD*STAR cement packaging solutions and the topic of automation are sure to attract a great deal of interest. In Algeria, the installed production capacity for AD*STAR box valve bags is expected to reach around 300 million bags per year by the end of this year. With an annual production of over 40 million tonnes, Algeria is one of Africa's largest cement producers, which increases the demand for high-quality and innovative cement packaging solutions. The installed AD*STAR capacity is expected to double in the next 3–4 years. What are you most looking forward to at plast alger? Sahli : Participating in plast alger is always a must for us – it's where the plastics industry from across North Africa comes together. We look forward to welcoming existing customers in person and meeting new ones to introduce them to the latest technological developments as part of our strategic portfolio diversification and to discuss future projects. The portrait was generated by AI. Editor: Elena Blume | K-Mag Elena Blume has been writing for various industry magazines for eight years and joined the K-Mag editorial team in 2021. She is particularly interested in topics related to innovative plastics solutions that contribute to sustainability and address current challenges relevant to industry and society. More around Plastics in Practice

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  • Customized, 3D-printed bike helmets offer comfort and safety

    Exclusively for K-Mag For its cushioning material, KAV has replaced the widely used EPS foam, which is lightweight and inexpensive but has performance limitations, with a customized 3D-printed liner. Copyright: KAV 13.05.2024 As founder and CEO of Redwood City, Calif.-based KAV, Whitman Kwok has worked with his team for seven years to refine the materials, processes and design needed to make his company’s 3D-printed, made-to-order bicycle helmets. An engineer with an MBA from Columbia Business School, Kwok was on the cycling team at Harvey Mudd College in southern California in the mid-1990s. He raced competitively and said that, unfortunately, the helmets didn’t fit his head very well. An avid cyclist himself, Whitman Kwok decided to create a better helmet since the ones he used to wear were ill-fitting and uncomfortable. Copyright: KAV He proceeded to spend the next 20-plus years of his career in enterprise software and has now been involved in six startups. But he still puts more miles on his bike than car and couldn’t help but think that there had to be a better way to make a helmet. So in 2017, he founded KAV and set to work on finding a solution. At the time he thought: “Everyone approaches this as a mechanical engineering problem, but it’s actually a software problem.,” he said in a March telephone interview. He also thought that conventional helmet makers, despite their good intentions, “were hampered by the constraints of using EPS foam.” When it came to cushioning impacts, he said, “The architecture has been EPS foam. That is very inexpensive and very accessible, but it has a lot of limitations.” He said that the industry had been on this EPS ride for 30 years and in that time society had developed the internet, iPhones, and electric cars. So when it came to helmet technology, he figured we could do better. Finding the right 3D printing material “From the get-go,” Kwok said, “we knew the materials were going to be foundational to the helmets that we're building, for very obvious reasons. You can only make something as good as the underlying material allows, especially in 3D printing.” Additionally, he noted, the technology driving 3D printing had advanced tremendously, offering new design and manufacturing opportunities. But few had tried such an approach since most helmet makers traditionally had relied on injection molding products overseas. Kwok and his teammates realized –– between software technologies, artificial intelligence (AI) and machine learning –– just how far both material science and 3D printing had advanced. “We looked at the intersection of those things, [and thought] this is going to allow us to make a helmet of all new materials.” And, he noted, they also can customize the helmets so that it has a great look and feel. Additionally, a better-fitting helmet also will offer enhance protection. Kwok teamed up in 2018 with engineer Dave Stoutamire, who had worked at Google, and who joined as chief technology officer. They then brought on board Mike Lowe, who had served as the vice president of advanced concepts at Easton-Bell Sports and had also worked at BRG Sports and as VP of wearables for Podtek Inc. Lowe joined KAV Helmets in July 2019 as VP of product in charge of ergonomics and design. Together, the three co-founded KAV. The three of them figured that they had the industry and product expertise to tackle this challenge differently –– “and much, much better, like not just incrementally,” Kwok said. “There's an opportunity here,” he thought, “for a 10x product. That's very rare and that's exciting to me, because not only you get to create something new, but you can actually save lives, with no hyperbole.” As part of their mission to do things differently, Kwok said KAV also decided to create its own safety lab. He said this was unprecedented for a firm of their size. “We’ve built one of the most sophisticated safety labs by collaborating with Virginia Tech and instrumenting our impact rigs to not only collect data on the head impacts, but what happens to the helmet itself.” Exhibitors & products around plastics processing Processing technologies Follow on treatment of plastics products Supplying Product groups Products To all exhibitors in this category Partnering with Jabil But KAV still needed to perfect the materials they were going to use. That’s when Jabil Inc. entered the picture. Based in St. Petersburg, Fla., Jabil is a mammoth manufacturing company with more than 250,000 employees across 100 locations in 30 countries. It recorded more than $25 billion in sales in its most recent fiscal year. But it also was trying to build out its additive manufacturing business and liked what it saw with KAV. “They were excited that we had a clear vision for how we were going to do mass customization,” Kwok said. KAV wasn’t planning to market $1,000 helmets. The company’s current price point is $300, which is comparable to other high-performance offerings out there, and they want to lower that even further. He says that Jabil was impressed with the engineering talent that KAV had. “And so,” he said, “we gave them very clear specifications. We had the lab and procedures in order to test and validate. And they had a fantastic skill set to do the formulations and tolerances that we needed, as well as access to many suppliers.” Jabil took up the challenge. “Off-the-shelf 3D printing materials did not meet KAV’s requirements for printing a customized bike helmet,” Jabil said in a case study about the project. “They needed a material that could withstand extreme environmental conditions and high velocity impacts. KAV needed to create a helmet that was not only protective but also looked good. They wanted an additive material that, when printed, did not show visible layering on the final product.” After initially experimenting with a carbon fiber nylon composite, Kwok realized that wouldn’t work because it would only be available in black. Instead, KAV partnered with Jabil to create a customized polycarbonate-based filament material that allows for a range of colors. Copyright: KAV Creating a totally new material in 9 months Leveraging its extensive material science expertise, Jabil says it created “a completely new and customized material that met KAV’s requirements in just nine months, with the delivery of an ISO 9001 certification in an additional six months.” Jabil process engineer Levi Loesch called this “pretty astounding considering how much innovation we needed to do and the fact that there was no other material on the market even remotely close to the performance that that we ended up developing.” Additionally, Jabil said its global manufacturing footprint and efficient supply chain capability “will help KAV expand its business and continue making a positive impact.” KAV calls the resulting material PolyCarbon Composite –– a specialized formulation in 3D printing filament form that they developed with Jabil after about 35 iterations. They constructed it from polycarbonate with a proprietary polymer blend that KAV says “provides strength, superior energy absorption and naturally wicks heat 8 times better than EPS foam even in the most extreme conditions.” Early on, the partners experimented with a carbon fiber nylon composite material, which performed well but came with one major drawback. Because of the carbon fiber, every helmet had to be black. “Naturally, for mass adoption,” Kwok said, “it was kind of ironic that we could make a fully custom product that fit 8 billion different heads but had only one color. So the PolyCarbon was this long road to make an alternative. It has a completely different base.” Adapting for color changes But changes in color pigmentation also significantly change material properties, he noted, so for every different color they chose, KAV had to run through a battery of tests to make sure that it behaved consistently with the base material for the PolyCarbon. Jabil makes the filament for KAV, but the rest of the production occurs in the helmet maker’s northern California headquarters facility. KAV is busy building a new plant in Buffalo, N.Y., that will provide up to five times more production capacity than the firm has now in Silicon Valley. Kwok says the Buffalo plant “will focus primarily on our sixth-generation production platform (hardware, software and materials). It’s a bit like silicon chip manufacturing where each generation of the factory allows us to make increasingly sophisticated helmets. For chips, it’s smaller transistors allowing faster CPUs. For us, it’s a more sophisticated helmet design.” Regarding the continuing evolution of materials, he says: “What we’re effectively doing is refining the production processes to eke out higher and higher grades using the same base material. There are very few manufacturers capable of producing the materials to the purity and specs we require. Every batch of material is tested, and we’ve been steadily increasing the bar for what’s acceptable.” This x-ray image reveals the complexity of KAV’s 3D-printed Hex Honeycomb Structure. Copyright: KAV Leveraging & modifying honeycomb technology Another key to the KAV helmets is its use of what it calls its Hex Honeycomb Structure. Kwok previously also worked on rocket engines and so is very familiar with the use of honeycomb structures in aerospace. This technology offers a very high weight-to-strength ratio. KAV has a portfolio of patents for its 3D-printed helmet liners, in addition to various manufacturing trade secrets. The low-density, anisotropic material has excellent shear and compression properties, while also maintaining its rigidity. In the event of a crash, the company says, “it collapses and crumples, absorbing the impact and safeguarding the wearer.” KAV’s top priorities, Jabil recalls, were to create an additive material that could protect bikers’ heads, print according to the customer’s head measurements and look amazing. By building to production rather than building to inventory, Jabil was able to help KAV respond to the customization needs of its consumers. “Our customers were mind blown that they could have something made for them at approximately the same price as other high-end helmets,” Kwok claims. “They absolutely love it. They’re blown away by the comfort.” KAV offers custom-made helmets in three different colors –– grey, black, and white, giving customers choices. It makes each helmet to order via a simple custom-fitting process, using 3D printing, and deliver them within two to three weeks. KAV released its Color Exploration Program in early April, so cyclists can create their own signature helmet with 400,000 unique color combinations and a truly perfect fit. It makes each helmet to order via a simple custom-fitting process with their iPhone app, and then they 3D print, and ship the helmet in as little as two weeks. Robert Grace More around Plastics in Daily Life

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  • Bend it like PU – Plastics in football

    Footballs, jerseys and artificial turf made from the world's sportiest material Exklusiv für K-Mag Since the use of plastics in footballs, cleats and jerseys, sport has become more dynamic, more sustainable, and safer. Copyright: LightFieldStudios 31.05.2024 (Updated on June 18, 2026) The 2026 FIFA World Cup in the United States, Canada and Mexico is currently captivating millions of fans around the globe. But it is not only the players and teams that are delivering top performances between June 11 and July 19. The materials used also play a crucial role in the success of the game. From footballs and boots to stadium infrastructure, plastics have revolutionized football and have helped make the sport more dynamic, safer and more sustainable. And here is another fun fact: Mexico, one of the host countries of the 2026 World Cup, also holds a special place in the material history of football. More on that in a moment. From leather to plastic – the history of the football Football matches today are much more dynamic than they used to be. Why? Because of plastic! A look at the history of football shows this: The development of football began before the beginning of the Common Era in China with the Ts'uh-küh, in which cloth balls were filled with animal hair and feathers and tied with nets. In the Middle Ages, balls made of sewn-together leather honeycomb were used for the first time, but they were not durable enough due to their filling of animal bladders and cork shavings. In the 19th century, they were replaced by leather balls with rubber bladders. However, these balls often had uneven trajectories and absorbed water. The transition to plastics began in the 1960s. The first fully synthetic football is used at the 1986 World Cup in Mexico. Trionda, the official soccer ball for the 2026 FIFA World Cup, is made of polyurethane on the outside and, among other materials, recycled polyester, viscose fibers, and synthetic rubber on the inside. Copyright: adidas Modern footballs are made of polyurethane (PU) and other synthetic materials. Most of them are no longer sewn, but hot-bonded using a special thermal bonding process. This makes the ball not only durable, but also highly symmetrical. These technological advances result in balls that fly more precisely, are more durable and behave consistently in different weather conditions. The outer shell of the official match ball for the 2026 FIFA World Cup, adidas' TRIONDA Pro, consists of four thermally bonded polyurethane panels. The ball itself is made up of several material components, each serving a specific function. Its outer cover is manufactured entirely from polyurethane (PU), a material known for its excellent abrasion resistance and therefore widely used in premium sports balls. Inside , a carrier layer made of recycled polyester and viscose is combined with a layer consisting of equal parts ethylene-vinyl acetate (EVA) and ethylene propylene diene monomer (EPDM). Polyester provides structural stability, while viscose is a cellulose-based fiber. EVA is an elastic polymer valued for its cushioning properties, whereas EPDM is used as a durable synthetic rubber. Air retention is ensured by a high-quality butyl bladder. Butyl rubber is characterized by its low air permeability, helping the ball maintain its shape and pressure over extended periods of use. Football boots and equipment made of plastic: lightness meets performance Footballers today are clad almost from head to toe in plastic. The versatile material is indispensable in modern football equipment. This applies to clothing, shin guards and gloves, as well as football boots. Today, these hardly contain any natural fibres or leather. All components of a shoe must be light, hard-wearing and efficient. Synthetics fulfil all these requirements. Football boots made of plastic are light, durable and efficient. Copyright: drazenphoto For example, the synthetic leather upper provides a better fit, increased durability and weather resistance. Synthetic composites in the sole offer lightness and flexibility, while thermoplastic polyurethane (TPU) studs provide optimal traction and stability on different pitch types. Shin guards benefit from synthetic materials such as EVA foam and polypropylene (PP), which offer effective impact protection at a low weight and adapt flexibly to the leg. Goalkeeper gloves also utilise synthetic materials to provide better grip and protection while remaining lightweight and flexible. Jerseys: a reliable partner thanks to plastics All Nike jerseys for the 2026 World Cup are made entirely from recycled textiles. Copyright: Nike Football shirts made from synthetic materials fulfil a fundamental requirement: they are warm in the cold and cool in the heat. In addition, the breathable, lightweight synthetic fibres ensure that sweat is not absorbed but released to the outside. Friction is also reduced thanks to functional clothing. It fits the body like a second skin and therefore provides optimum freedom of movement. For the 2026 World Cup, Nike is also placing a stronger emphasis on circularity in its national team kits. For the first time, both the match kits and the accompanying elite training collection are made entirely from textile waste. This has been made possible through an advanced chemical recycling process that transforms end-of-life textiles into recycled polyester yarn. The resulting material delivers the same performance as virgin polyester and demonstrates how synthetic fibers can help keep valuable resources in the textile loop. Exhibitors & products around recycling Recycling plants Separating and sorting systems for waste Size reduction equipment (crushers, shredders, grinders) Compounding lines Recyclates Plastics in football stadiums: safe, functional, aesthetic Artificial turf consists of soft PE fibres, a PP or PU backing layer and a rubber granulate infill. Copyright: leungchopan Plastics are used in a wide range of applications in football stadiums. One prominent example is artificial turf. Soft fibres made of polyethylene (PE), a base layer made of polypropylene (PP) or polyurethane (PU) and a filling of sand and rubber granules enable similar playing characteristics to natural turf. In contrast to natural turf, however, artificial turf is easier to care for and much more resistant to weather conditions and intensive use. Plastics are also used in the seats and roofing of stadiums. Materials such as polypropylene (PP), polycarbonate (PC) and PVC ensure durable, weatherproof and lightweight constructions. Plastics offer comfort and safety for spectators, but also contribute to the overall aesthetics and functionality of the stadium architecture. Polypropylene (PP) makes stadium seats hard-wearing, UV-resistant and durable. Copyright: LightFieldStudios Gabriel-Chemie also proves this. Together with GSM Sella and Aurora Kunststoffe, the plastics manufacturer has developed a masterbatch for post-industrial PA 66 for the production of stadium seats in 2022. The masterbatch gives the stadium seats mechanical resistance, flame retardancy and an aesthetic appearance. It also provides the necessary protection against UV rays and other aggressive weather influences. This collaboration has made it possible to produce 30,000 new stadium seats. TSG Hoffenheim's PreZero Arena is a zero waste stadium. A key component of the strategy is a reusable cup system. Copyright: PreZero Plastics contribute to greater sustainability in football stadiums. One example of this is the PreZero Arena, home to TSG Hoffenheim – the first certified zero waste stadium in the German Bundesliga. A key component of the strategy is the reusable cup system. Instead of disposable cups made from polylactide (PLA), which cannot be composted or recycled, the arena has been using durable cups made from polyethylene (PE) since 2021. These can be rinsed and reused up to 400 times. This saves around half a million cups per season! Plastics in football stadiums contribute to improved playing conditions, increased comfort and lower maintenance costs, while at the same time promoting the sustainability and efficiency of the stadium infrastructure. The revolution of football through plastics Plastics are shaping the future of football. They have already significantly improved the performance of equipment and infrastructure. Copyright: LightFieldStudios Modern footballs made from synthetic materials offer better durability, control and weather resistance. Lightweight and adaptable plastics in football boots increase players' speed and stability, while protective clothing made from materials such as EVA foam offers effective impact protection. In the stadium infrastructure, artificial turf and weatherproof components made of PC and PVC ensure durability and reduced maintenance. Technological innovations such as thermal bonding and 3D printing optimise material properties and enable customised designs, while environmentally friendly plastics and recycling methods reduce the ecological footprint. Overall, plastics are helping to make sport more sustainable and innovative. In short, plastics have significantly improved the performance of equipment and infrastructure and are playing a key role in shaping the future of football. Plastics have revolutionised football. Elena Blume (Editorial team K-Mag) More around Plastics in Daily Life

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  • Plastic Toys: Versatile, Robust, Sustainable

    Manufacturers focus on recyclability and sustainable materials Exklusiv für K-Mag Plastics are not only versatile and durable – they also make it possible to produce toys in vibrant colours and complex, child-friendly shapes. Copyright: shangarey - adobe.stock.com 15.05.2024 Updated on 22/10/2024: We have revised this article to include the latest developments and provide the most up-to-date information. Sustainability is becoming increasingly important – even in the playroom. From classic toys such as Playmobil and Lego to innovative projects that focus on recycling and the Circular Economy, there is a wide range of applications and initiatives that take into account both the needs of young users and the requirements for environmental compatibility. Plastic toys: Durability and safety for years of fun It's hard to imagine a playroom without plastic toys. Copyright: Eugenia - adobe.stock.com Plastic toys are very important for children's development as they promote a wide range of skills thanks to their versatility, safety and durability. Toys such as Playmobil's detailed miniatures, robust bobby cars and complex Lego building blocks are specifically designed to develop creativity, motor skills and problem-solving abilities. These toys are designed to not only meet high safety standards, but are also educationally valuable, encouraging cognitive, social and physical skills in children through playful interaction – increasingly using sustainable materials. The question of sustainability is one that manufacturers must actively address. In light of growing environmental concerns, reducing plastic waste and promoting recycling measures is crucial. Manufacturers are therefore working to develop materials that are not only safe and durable, but also more recyclable. For example, there is an increased focus on the use of plastics such as HDPE (high-density polyethylene) and PP (polypropylene), which are known for their robustness and lightness and are also recyclable in order to minimise their environmental impact. These plastics make it possible to produce toys in vibrant colours and complex, child-friendly shapes that are free from sharp edges and small, swallowable parts. The special formulation of these plastics ensures that the toys retain their shape and functionality even in harsh conditions and minimise the risk of breakage, further contributing to safety. Aesthetically, plastics offer the flexibility to design toys in any colour and shape imaginable, increasing visual appeal and opportunities for creative play. Recyclability and sustainable materials: innovations in the plastic toy industry The industry is endeavouring to make plastic toys as sustainable as possible, e.g. by using biodegradable or recycled materials. Copyright: digitalstock - adobe.stock Overall, the industry is working to find the ideal balance between functionality, safety and environmental friendliness . Advancements in plastic technology and recycling processes promise that plastic toys will continue to play a central role in the playroom while becoming more environmentally friendly. These efforts are crucial to ensure the long-term sustainability of plastic toys while minimising their environmental footprint. Companies such as HolyPoly and Schleich are examples of how targeted innovation and strict quality management can establish an effective Circular Economy in the plastic toy sector that not only protects the environment, but also ensures the safety and longevity of products. Recycling plastic toys: How HolyPoly contributes to the circular economy The start-up HolyPoly specialises in the recycling of plastic toys. Copyright: HolyPoly The importance of sustainability in the production and recycling of plastic toys is becoming increasingly important. In this context, projects such as HolyPoly in Dresden and companies such as Schleich are committed to promoting a Circular Economy that both protects the environment and ensures long-term economic efficiency. HolyPoly specialises in the recycling of plastic toys and is making significant progress by developing local recycling solutions. Roman Maletz, a representative of the project, explains in an interview with K-Mag that "the challenge lies in providing a high-quality waste stream. If this stream is well processed and of known origin, it can be used to create products that are equivalent to virgin material". This shows how crucial high-quality processing is for the success of recycling. How HolyPoly reuses children's toys in the spirit of the Circular Economy, read here! In HolyPoly's recently inaugurated Closed-Loop Factory, recycling is considered from waste reception to product manufacture. Find out more! Sustainable materials in plastic toy production: Schleich's path to the circular economy Toy manufacturer Schleich is pursuing the goal of making all its toy figures recyclable by the end of 2027. Copyright: Schleich At the same time, Schleich is pursuing the goal of having all its toy figures recyclable and certified according to Cradle to Cradle® standards by the end of 2027. Cradle to Cradle (C2C) is a certification standard that assesses products to ensure that they are safe for people and the environment and can be fully recycled or biodegraded. This approach promotes the use of renewable energy, efficient water management and social responsibility. The aim is to develop products that can either be converted into new products or safely degraded in nature at the end of their life cycle. The company is committed to developing sustainable materials that are both environmentally friendly and of high quality. Philipp Hummel, Head of Sustainability at Schleich, emphasises the importance of material selection in the K-Mag interview: "We test a variety of materials, both in our own laboratories and with our partners, to ensure that they meet our high quality and safety standards while being recyclable and more sustainable". Read more about Schleich's endeavours regarding sustainable materials for toys here! Both initiatives, HolyPoly and Schleich, illustrate how innovation, cooperation and strict quality management can establish an effective Circular Economy in the plastic toy sector. These approaches not only lead to a reduction in environmental impact, but also ensure the longevity and attractiveness of the products, which ultimately benefits consumers and the environment. Sustainable plastic toys: a win-win for children and the environment Plastic toys are an asset for future generations. Copyright: scaliger - adobe.stock.com It is impossible to imagine a child's bedroom without plastic toys. Thanks to their versatility, safety and durability, they promote children's development in many ways. Projects and companies such as HolyPoly and Schleich also show how innovations in the field of sustainability and the Circular Economy have the potential to improve the environmental impact of these toys. Using sustainable materials and adhering to high safety standards ensures that the toys not only stimulate children's creative and cognitive skills, but also make a positive contribution to the environment. These approaches demonstrate that it is possible to combine the fun and educational effectiveness of plastic toys with the principles of sustainability. This creates a win-win situation for future generations, taking into account both the needs of young users and the requirements for environmental friendliness. Exhibitors & products around recycling Recycling plants Separating and sorting systems for waste Size reduction equipment (crushers, shredders, grinders) Compounding lines Recyclates Stephan Weiner More around Plastics in Daily Life

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  • Artistic duo brings Lucite and epoxy to life with color and light

    Italy’s Draga & Aurel launch stunning furniture collections at the Milan Design Fair Exclusively for K-Mag Draga & Aurel cut, shape and then join colored cast acrylic Lucite sheets to ensure that each piece in the collection is unique. Courtesy of Todd Merrill Studio, NYC 05.06.2024 The Como, Italy-based design studio of Draga & Aurel is using transparent acrylic sheets, epoxy resin, light and color to create visually striking collections of high-end furniture. They just unveiled two such collections, called Flare and Glaze, done exclusively for specific galleries. Basedow, seen here working in the Draga & Aurel laboratory, is a skilled painter who trained previously as a carpenter and woodworker. Photo by Piero Gemelli Founded in 2007, Draga & Aurel is a multidisciplinary studio that works along the spectrum of furniture, textile and interior design. The duo –– designer Draga Obradovic and painter Aurel K. Basedow –– began using Lucite polymethyl methacrylate (PMMA) resin about two years ago. Part of the Flare collection, these hand-made pieces illustrate the dramatic effects that light and color can have. Prices start at $25,000 each. Courtesy of Todd Merrill Studio, NYC They work with colored cast acrylic sheets obtained from Italian suppliers. The process involves joining these Lucite sheets and then cutting them out to obtain special shapes that play with the refraction of light. "We are fortunate to be able to collaborate with local artisans in the province of Como, right where our atelier and workshop are based," they wrote in an email interview just before the Milan Design Fair in mid-April. “One of the things that attracted us the most is the possibility of creating infinite combinations of colors and shapes, from the more fluid to the more 'sculptural'. "Another important feature of Lucite is definitely its transparency, which is never lacking in our way of designing. We also like it because it is resistant, not prone to ageing, reusable, recyclable, and environment-friendly." Exhibitors & products around plastics processing Processing technologies Follow on treatment of plastics products Supplying Product groups Products To all exhibitors in this category Celebrating the properties of epoxy resin Coloring and painting the components and pieces is a precise, painstaking process. Photo by Riccardo Gasperoni The Serbian-born Obradovic and Munich-born Basedow, who have lived together as a couple for 20 years, have long been working with epoxy resin, calling it their "elective" material for many years. Epoxy, they say, has always fascinated them for its ability to capture and reflect light in the surrounding environment. "It is untamable and unpredictable, but at the same time it offers us incredible opportunities for expression through the play of transparency and colour nuances." The pair like to experiment, which is what led them to explore PMMA. "We are now continuing this type of research with Lucite, experimenting with asymmetrical types of cuts and color combinations that allow us to play even more with refraction effects, offering a unique and stimulating visual experience." The use of resin, Basedow´s bio says, allows him "to incorporate unusual objects and textures, adding depth and complexity to his work." By concealing certain elements within the layers of resin, he aims to create a sense of mystery, encouraging viewers to engage with the work more deeply. "The reflective surface of the resin," it continues, "produces depth and translucency, which responds to and reflects the surrounding environment, making the artwork dynamic and transmutable depending on various factors such as light, place, and time." The duo designed this Glaze collection exclusively for Milan-based Nilufar Gallery. Photo by Riccardo Gasperoni Launching a Flare The Flare collection is a new limited-edition capsule collection that the duo says explores the power of color and light refraction through the craftsmanship of Lucite. They made it exclusively for Todd Merrill Studio, a New York-based gallery. The pieces are numbered, with price tags starting at $25,000 each. They will make new pieces on request. "Flare, in fact, is the result of a path of research and manual workmanship to which we have dedicated body and soul," they wrote. "In addition, we really like to play with combinations of materials." Consisting of seven variants of a coffee table and a totem-sculpture made entirely of Lucite, Flare is the result of an intense study of materials and their ability to come "alive" through color and light. The Glaze collection, called Tinted Hues, features cool colors –– blue, lilac and green –– on the Lucite, giving it an overall effect of depth and three-dimensionality. Photo by Federica Lissoni Introducing the Glaze collection Draga & Aurel also used Milan Design Week to release a new collection exclusively for the locally based Nilufar Gallery . It includes Glaze coffee and dining tables, Dewdrops coffee tables, and a mushroom-shaped Puffed Pouf. Called Tinted Hues, it features cool colors –– blue, lilac and green –– on the Lucite, giving it an overall effect of depth and three-dimensionality. "It's not a decoration," the designers say, "but a declaration, a bold manifesto of creativity and imagination. Its abstract charm solicits attention and allows for free interpretation, inviting the public to interact. It's a new fusion of design and art." Asked to characterize their relationship with plastics, Draga & Aurel wrote: "I would say that we live in symbiosis with the material. We choose the materials we work with carefully; we are very demanding. We carefully follow the entire process of making our works and we spend a large part of our time in the workshop, working the materials ourselves, just like craftsmen. In this way, the ideas that are in our heads literally take shape." Designer Draga Obradovic (left) and painter Aurel K. Basedow are partners in life and in art. Photo by Piero Gemelli From Serbia to Florence – Draga Obradovic Born in Čačak, Serbia, in 1964, Obradovic moved 20 years later to Florence, Italy, where she graduated in 1988 from the Accademia di Belle Arti with a degree in painting. She began her career in the fashion industry, first working in London and Milan as a textile designer and refining a technique for painting directly on fabrics. She freelanced in various studios, including in Paris, Belgrade and Florence, before eventually settling in Como. In 2006 she designed her first furniture collection using pieces from various time periods and styles. The following year she began working with her partner Basedow, an artist and designer. Mixing mediums to add depth and complexity – Aurel K. Basedow Basedow also graduated from Milan’s Accademia di Belle Arti, with a degree in fine arts, having previously trained as a carpenter and woodworker. His bio notes that he likes to employ various mediums such as enamel, pastel, dyes, stains, and spray paint, creating a composition of geometric lines and expressive brush strokes, with each gesture building on the previous one, separated by layers of clear resin. Robert Grace More around Plastics in Daily Life

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